{"id":3406,"date":"2026-03-13T13:45:38","date_gmt":"2026-03-13T12:45:38","guid":{"rendered":"https:\/\/www.zintzilik.net\/?p=3406"},"modified":"2026-03-13T13:45:38","modified_gmt":"2026-03-13T12:45:38","slug":"t7-e17-en-los-dominios-del-duke","status":"publish","type":"post","link":"https:\/\/blogs.sindominio.net\/zintzilik\/2026\/03\/13\/t7-e17-en-los-dominios-del-duke\/","title":{"rendered":"T7 E17&#8230;&#8230;en los dominios del Duke&#8230;.."},"content":{"rendered":"\n<p>&#8230;&#8230;esta semana en Kalez Kale Soul vamos a repasar algunos temas que se publicaron en el sello Duke Records. Como ver\u00e9is, vamos a pasar del R&amp;B al soul y del soul al funk&#8230;..por lo tanto, un sello discogr\u00e1fico creado por Don Robey en 1953, despu\u00e9s de fundar Peacock Records, y un sello, claramente, referencia para todos los que amamos esta m\u00fasica&#8230;.Por lo dem\u00e1s, nuestras secciones habituales a cargo de nuestros colaboradores Z.Z. \u00d1aki (Northern Train), Baranda (Remember), FunkTotti (98%Funk), Karlos el Profe (Soul Conection) y a los mandos de esta nave, arreglando cualquier desaguisado, nuestro joven DJ Pavel!!!&#8230;.<\/p>\n\n\n\n<p>1. JACKIE WILSON &#8211; SOMEBODY UP THERE LIKE YOU (BRUNSWICK, 1967)<\/p>\n\n\n\n<p>2. BOBBY BLAND &#8211; FURTHER UP THE ROAD (DUKE, 1957)<\/p>\n\n\n\n<p>3. BOBBY CONERLY &#8211; A WHOLE LOT OF SOUL IS GONE (DUKE, 1970)<\/p>\n\n\n\n<p>4. MISS LAVEL &#8211; STOP THESE TEARDROPS (DUKE, 1959)<\/p>\n\n\n\n<p>5. OTIS RUSH &#8211; HOMEWORK (DUKE, 1962)<\/p>\n\n\n\n<p>6. CLARENCE &amp; CALVIN &#8211; I LIKE IT (DUKE, 1963)<\/p>\n\n\n\n<p>7. BUDDY ACE &#8211; WHAT CAN I DO (DUKE, 1962)<\/p>\n\n\n\n<p>8. JOE ANN MITCHELL &#8211; I\u00b4LL MAKE IT UP YOU (DUKE, 1956)<\/p>\n\n\n\n<p>\u2026\u2026\u2026..ROCK STEADY READY GO, de nuestro amigo jamaiquino Be\u00f1at Zinkunegi<\/p>\n\n\n\n<p>9. SKABIDEAN &#8211; ONE WAY TICKET<\/p>\n\n\n\n<p>10. SKABIDEAN &#8211; MY FLAME<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>11. SYLVIA MADOX &#8211; VIETNAM BLUES (DUKE, 1967<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>Nuestro Comandante Baranda, en su secci\u00f3n Remember, ha repasado el album de Edwin Starr \u00abWar&amp;Peace\u00bb publicado en Gordy Records en 1970<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>\u2026\u2026\u2026..98% FUNK\u2026\u2026\u2026<\/p>\n\n\n\n<p>12. MCFFADDEN &amp; WHITEHEAD &#8211; AIN\u00b4T NO STOPPIN\u00b4 US NOW<\/p>\n\n\n\n<p>13. BARRY WHITE &amp; LOVE UNLIMITED ORCHESTRA &#8211; LOVE\u00b4S THEME<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>14. JOHN ROBERTS &#8211; SOPHISTICATED FUNK (Duke, 1967)<\/p>\n\n\n\n<p>15. THE LAMP SISTERS &#8211; A WOMAN WITH THE BLUES (Duke, 1968)<\/p>\n\n\n\n<p>16. FENTON ROBINSON &#8211; CRAZY CRAZY LOVING (Duke, 1958)<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<br>&#8230;en la secci\u00f3n de Z.Z. \u00d1aki, Northern Train, han sonado<\/p>\n\n\n\n<p>17- LORRAINE CHANDLER &#8211; I CAN\u00b4T HOLD ON<br>18- HAROLD MELVIN &amp; THE BLUE NOTES &#8211; SATISFACTION GUARANTED<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>19- WILLIE MAYS &#8211; IF YOU LOVE ME (Duke, 1962)<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>En la secci\u00f3n de Karlos, el Profe, \u00abSoul Conection\u00bb, son\u00f3<\/p>\n\n\n\n<p>20- WILSON PICKETT &#8211; THAT KIND OF LOVE (que son\u00f3 como m\u00fasica de cabecera para el Ballet Massouli de Musical 69, de TVE en 1968)<\/p>\n\n\n\n<p>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/p>\n\n\n\n<p>21- CLENTT GANTT &#8211; JUST LIKE YOU LIKE IT (Duke, 1962)<br>22- LITTLE JUNIOR PARKER &#8211; HOW LONG CAN THIS GO ON (Duke, 1961)<br>23- ERNIE K. DOE &#8211; LOVE ME LIKE I WANTA (Duke, 1967)<br>24- JOHNNY ACE &#8211; HOW CAN YOU BE SO MEAN (Duke, 1955)<br>25- TED TAYLOR &#8211; HOLD ME TIGHT (Duke, 1959)<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:85% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"450\" src=\"https:\/\/www.zintzilik.net\/files\/2026\/03\/duke-peacock-records.jpg\" alt=\"\" class=\"wp-image-3407 size-full\" srcset=\"https:\/\/blogs.sindominio.net\/zintzilik\/files\/2026\/03\/duke-peacock-records.jpg 750w, https:\/\/blogs.sindominio.net\/zintzilik\/files\/2026\/03\/duke-peacock-records-300x180.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/archive.org\/download\/20260311_20260313\/20260311.mp3\"><\/audio><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>&#8230;&#8230;esta semana en Kalez Kale Soul vamos a repasar algunos temas que se publicaron en el sello Duke Records. Como ver\u00e9is, vamos a pasar del <a class=\"mh-excerpt-more\" href=\"https:\/\/blogs.sindominio.net\/zintzilik\/2026\/03\/13\/t7-e17-en-los-dominios-del-duke\/\" title=\"T7 E17&#8230;&#8230;en los dominios del Duke&#8230;..\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":244,"featured_media":2843,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kalez-kale-soul"],"_links":{"self":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/3406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/users\/244"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/comments?post=3406"}],"version-history":[{"count":1,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/3406\/revisions"}],"predecessor-version":[{"id":3408,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/3406\/revisions\/3408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/media\/2843"}],"wp:attachment":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/media?parent=3406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/categories?post=3406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/tags?post=3406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}