{"id":2893,"date":"2025-11-07T17:39:46","date_gmt":"2025-11-07T16:39:46","guid":{"rendered":"https:\/\/www.zintzilik.net\/?p=2893"},"modified":"2025-11-07T17:39:46","modified_gmt":"2025-11-07T16:39:46","slug":"t7-e3el-soul-de-don-davis-y-la-promesa-de-little-milton","status":"publish","type":"post","link":"https:\/\/blogs.sindominio.net\/zintzilik\/2025\/11\/07\/t7-e3el-soul-de-don-davis-y-la-promesa-de-little-milton\/","title":{"rendered":"T7 E3\u2026el soul de Don Davis y la promesa de Little Milton\u2026.."},"content":{"rendered":"\n<p>En el programa de hoy, el hilo conductor ha sido el productor de Detroit Don Davis, maestro de algunos de los sonidos m\u00e1s elegantes y poderosos del soul de Detroit y Memphis.<br>Abrimos el viaje con la Secci\u00f3n Northern Train, donde Z.Z. \u00d1aki nos llev\u00f3 a la pista con dos joyas de J. J. Barnes.<br>En la Secci\u00f3n Remember, Baranda repas\u00f3 a fondo el legendario \u00e1lbum de Little Milton, We\u2019re Gonna Make It.<br>Desde el groove m\u00e1s intenso, FunkTotti trajo su 98% Funk con un temazo de la banda sonora de Shaft in Africa.<br>El profesor Karlos \u201cEl Profe\u201d puso su toque instrumental en Soul Connection con Grant Green y su Ain\u2019t It Funky Now.<br>El viaje sigui\u00f3 en clave jamaicana con Be\u00f1at Zinkunegi en Rock Steady Ready Go, y dos cl\u00e1sicos de The Melodians.<br>En La Hora 45, Arkaitz Kortabitarte conect\u00f3 la peque\u00f1a pantalla con el soul, trayendo a Bo Diddley y Otis Redding desde Los Soprano.<br>Y para cerrar, en Herencia Soul, son\u00f3 la energ\u00eda contempor\u00e1nea de Freedonia.<\/p>\n\n\n\n<p>TRACK LIST DEL PROGRAMA NUMERO 3 DE KALEZ KALE SOUL (05\/11\/2025)<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>THE TEMPTATIONS &#8211; BALL OF CONFUSION (GORDY RECORDS, 1970)<\/li>\n\n\n\n<li>JOHNNIE TAYLOR- WHO\u00b4S MAKINGL LOVE (STAX RECORDS, 1969)<br>\u2026\u2026\u2026..NORTHERN TRAIN\u2026\u2026\u2026 (presenta Z.Z. \u00d1aki)<\/li>\n\n\n\n<li>J.J. BARNES &#8211; EVERY TIME I SEE YOU, I GO WILD (MOTOWN RECORDS, 1967)<\/li>\n\n\n\n<li>J.J. BARNES- COME ON BACK (VOLT RECORDS, 1969)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>BEN E. KING &#8211; IT\u00b4S AMAZING (ATLANTIC RECORDS, 1968)<br>\u2026\u2026\u2026.REMEMBER\u2026..(presenta Baranda)<\/li>\n\n\n\n<li>DARRELL BANKS &#8211; I\u00b4M THE ONE WHO LOVES YOU (VOLT RECORDS, 1969)<br>\u2026\u2026\u2026..98% FUNK\u2026\u2026\u2026(presenta FunkTotti)<\/li>\n\n\n\n<li>YOU CAN&#8217;T EVEN WALK IN THE PARK &#8211; JOHNNY PATE (ABC RECORDS, 1973)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>CARLA THOMAS &#8211; I LIKE WHAT YOU\u00b4RE DOING (TO ME) (STAX, 1969)<br>\u2026\u2026\u2026..LA HORA 45\u2026\u2026\u2026(presenta Arkaitz Kortabitarte)<\/li>\n\n\n\n<li>BO DIDDLEY &#8211; I\u00b4M A MAN (CHECKER RECORD, 1955)<\/li>\n\n\n\n<li>OTIS REDDING &#8211; MY LOVERS PRAYER ( VOLT RECORD, 1966)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>JIMMY GILFORD &#8211; MISERY STREET (WHEELSVILLE RECORDS, 1965)<br>\u2026\u2026\u2026..ROCK STEADY READY GO\u2026\u2026\u2026(presente Be\u00f1at Zinkunegi)<\/li>\n\n\n\n<li>THE MELODIANS &#8211; I\u00b4LL GET ALONG WITHOUT YOU (BEVERLEY RECORDS,1969)<\/li>\n\n\n\n<li>THE MELODIANS &#8211; SWEET SENSATION (BEVERLEY RECORDS,1970)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>THE DRAMATICS &#8211; YOUR LOVE WAS STRANGE (VOLT RECORDS, 1969)<br>\u2026\u2026\u2026..SOUL CONNECTION\u2026\u2026\u2026(presenta Karlos \u00abel Profe\u00bb)<\/li>\n\n\n\n<li>GRANT GREEN &#8211; AIN&#8217;T IT FUNKY NOW (BLUE NOTE, 1970)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>FABOLOUS PLAYBOYS &#8211; HONKEY TONK WOMAN (APOLO RECORDS, 1961)<br>\u2026\u2026\u2026..HERENCIA SOUL\u2026\u2026\u2026(presenta PapaSoul)<\/li>\n\n\n\n<li>FREEDONIA &#8211; YOU CAN\u00b4T STOP US (SWEET RECORDS, 2014)<br>&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;&amp;<\/li>\n\n\n\n<li>L.V. JOHNSON &#8211; DON\u00b4T CHA MESS WITH MY MONEY, OR MY WOMAN (VOLT RECORDS, 1971)<\/li>\n\n\n\n<li>MAJOR LANCE &#8211; SINCE I LOST MY BABY (VOLT RECORDS, 1972)<\/li>\n\n\n\n<li>ROSE BATISTE &#8211; I CAN\u00b4T LEAVE YOU (THELMA RECORDS, 1964)<\/li>\n\n\n\n<li>BARRET STRONG &#8211; MONEY (TAMLA RECORDS, 1959)<\/li>\n<\/ol>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:85% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/www.zintzilik.net\/files\/2025\/11\/ab67616d0000b273343069c7e2e700814bfc6658.jpg\" alt=\"\" class=\"wp-image-2895 size-full\" srcset=\"https:\/\/blogs.sindominio.net\/zintzilik\/files\/2025\/11\/ab67616d0000b273343069c7e2e700814bfc6658.jpg 640w, https:\/\/blogs.sindominio.net\/zintzilik\/files\/2025\/11\/ab67616d0000b273343069c7e2e700814bfc6658-300x300.jpg 300w, https:\/\/blogs.sindominio.net\/zintzilik\/files\/2025\/11\/ab67616d0000b273343069c7e2e700814bfc6658-150x150.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/archive.org\/download\/05112025\/05112025.mp3\"><\/audio><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>En el programa de hoy, el hilo conductor ha sido el productor de Detroit Don Davis, maestro de algunos de los sonidos m\u00e1s elegantes y <a class=\"mh-excerpt-more\" href=\"https:\/\/blogs.sindominio.net\/zintzilik\/2025\/11\/07\/t7-e3el-soul-de-don-davis-y-la-promesa-de-little-milton\/\" title=\"T7 E3\u2026el soul de Don Davis y la promesa de Little Milton\u2026..\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":244,"featured_media":2843,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-2893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kalez-kale-soul"],"_links":{"self":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/2893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/users\/244"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/comments?post=2893"}],"version-history":[{"count":1,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/2893\/revisions"}],"predecessor-version":[{"id":2896,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/posts\/2893\/revisions\/2896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/media\/2843"}],"wp:attachment":[{"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/media?parent=2893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/categories?post=2893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/zintzilik\/wp-json\/wp\/v2\/tags?post=2893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}