{"id":5209,"date":"2019-07-02T18:54:17","date_gmt":"2019-07-02T18:54:17","guid":{"rendered":"https:\/\/lacinetika.wordpress.com\/?p=5209"},"modified":"2019-07-02T18:54:17","modified_gmt":"2019-07-02T18:54:17","slug":"04-07-19-cinema-hiroshima-mon-amour","status":"publish","type":"post","link":"https:\/\/blogs.sindominio.net\/lacinetika\/2019\/07\/02\/04-07-19-cinema-hiroshima-mon-amour\/","title":{"rendered":"04\/07\/19 Cinema: \u00abHiroshima mon amour\u00bb"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Dijous 4 de juliol a les 20h projectem <strong><em>Hiroshima mon amour<\/em><\/strong> (1959), pel\u00b7l\u00edcula d&#8217;Alain Resnais que don\u00e0 inici a la corrent de la <em>Nouvelle Vague<\/em> francesa pel seu tractament trencador del temps i la seva tem\u00e0tica introspectiva amb un rerefons pol\u00edtic. Una hist\u00f2ria d&#8217;amor sota la mem\u00f2ria de la guerra. Versi\u00f3 original subtitulada. Entrada lliure.<\/h2>\n\n\n\n<p>Una actriu francesa interpreta el paper d&#8217;infermera a la Hiroshima de postguerra. All\u00e0 inicia una relaci\u00f3 amb un arquitecte japon\u00e8s, esdevenint amants a esquenes de la seva fam\u00edlia. Ambd\u00f3s comparteixen un passat convuls en temps de conflicte b\u00e8l\u00b7lic als seus respectius llocs d&#8217;origen que els turmenta i estranya la seva visi\u00f3 del m\u00f3n.<\/p>\n\n\n\n<p>Pel\u00b7l\u00edcula basada en la novel\u00b7la hom\u00f2nima de Marguerite Duras, escriptora i membre de la resist\u00e8ncia comunista contra l&#8217;ocupaci\u00f3 nazi, qui va elaborar-ne el gui\u00f3.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"835\" src=\"https:\/\/blogs.sindominio.net\/cinetika\/files\/2019\/07\/hiroshima_cinecc80tika_digital.jpg\" alt=\"\" class=\"wp-image-5210\" srcset=\"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2019\/07\/hiroshima_cinecc80tika_digital.jpg 591w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2019\/07\/hiroshima_cinecc80tika_digital-212x300.jpg 212w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hiroshima mon Amour\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/HUNsUHB12RI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Dijous 4 de juliol a les 20h projectem Hiroshima mon amour (1959), pel\u00b7l\u00edcula d&#8217;Alain Resnais que don\u00e0 inici a la corrent de la Nouvelle Vague francesa pel seu tractament trencador del temps i la seva tem\u00e0tica introspectiva amb un rerefons pol\u00edtic. Una hist\u00f2ria d&#8217;amor sota la mem\u00f2ria de la guerra. <a class=\"mh-excerpt-more\" href=\"https:\/\/blogs.sindominio.net\/lacinetika\/2019\/07\/02\/04-07-19-cinema-hiroshima-mon-amour\/\" title=\"04\/07\/19 Cinema: \u00abHiroshima mon amour\u00bb\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":261,"featured_media":5210,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"jetpack_featured_media_url":"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2019\/07\/hiroshima_cinecc80tika_digital.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/5209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/users\/261"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/comments?post=5209"}],"version-history":[{"count":0,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/5209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media\/5210"}],"wp:attachment":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media?parent=5209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/categories?post=5209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/tags?post=5209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}