{"id":19736,"date":"2024-07-04T10:35:00","date_gmt":"2024-07-04T08:35:00","guid":{"rendered":"https:\/\/lacinetika.wordpress.com\/?p=19736"},"modified":"2024-07-04T10:35:00","modified_gmt":"2024-07-04T08:35:00","slug":"aixo-es-avui-04-07-24-20h-cinema-dijous-charles-vivo-o-muerto-dir-alain-tanner-1969","status":"publish","type":"post","link":"https:\/\/blogs.sindominio.net\/lacinetika\/2024\/07\/04\/aixo-es-avui-04-07-24-20h-cinema-dijous-charles-vivo-o-muerto-dir-alain-tanner-1969\/","title":{"rendered":"Aix\u00f2 \u00e9s avui: 04\/07\/24 &#8211; 20h &#8211; Cinema dijous: \u00abCharles, vivo o muerto\u00bb Dir. Alain Tanner (1969)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"640\" src=\"https:\/\/blogs.sindominio.net\/cinetika\/files\/2024\/07\/cartell_cinetika_charles_color_wordpress.jpeg?w=453\" alt=\"\" class=\"wp-image-19732\" style=\"width:837px;height:auto\" srcset=\"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/07\/cartell_cinetika_charles_color_wordpress.jpeg 453w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/07\/cartell_cinetika_charles_color_wordpress-212x300.jpeg 212w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure>\n\n\n\n<p><strong>Charles Mort ou vif, Alan Tanner, 1969 Su\u00efssa, VOSE, 94min<\/strong><\/p>\n\n\n\n<p>El primer llargmetratge d&#8217;Alain Tanner i gran premi del Festival de Locarno en 1969, \u00e9s una pel\u00b7l\u00edcula-manifest que va permetre inscriure a Su\u00edza en el mapa del cinema mundial a la fi dels anys 60.  Aquest film, va ser rodat amb pocs mitjans i amb una llibertat innegable. I la llibertat \u00e9s, precisament, el tema de la pel\u00b7l\u00edcula. La llibertat interior de l\u2019home, atrapat en els mecanismes de l\u2019angoixa.<\/p>\n\n\n\n<p>Avui, l&#8217;energia d&#8217;aquest primer film roman intacta, magnificada per l&#8217;al\u00e7ada i pres\u00e8ncia excepcionals de Fran\u00e7ois Simon i la fotografia sublim de Renato Berta. <\/p>\n\n\n\n<p>Tanner va trobar l&#8217;argument de la seva pel\u00b7l\u00edcula en el que va veure del maig &#8217;68 a Par\u00eds com a reporter de la televisi\u00f3 su\u00edza a on Tanner va quedar impressionat per les persones majors que marxaven al seu costat. Aix\u00ed, el film retrata a un anci\u00e0 que decideix deixar la seva c\u00f2moda vida burgesa per a portar una vida a\u00efllada amb una parella de bohemis i aix\u00ed es retroba amb la seva llibertat de pensament. <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Charles Mort ou vif, Alan Tanner, 1969 Su\u00efssa, VOSE, 94min El primer llargmetratge d&#8217;Alain Tanner i gran premi del Festival de Locarno en 1969, \u00e9s una pel\u00b7l\u00edcula-manifest que va permetre inscriure a Su\u00edza en el mapa del cinema mundial a la fi dels anys 60. Aquest film, va ser rodat <a class=\"mh-excerpt-more\" href=\"https:\/\/blogs.sindominio.net\/lacinetika\/2024\/07\/04\/aixo-es-avui-04-07-24-20h-cinema-dijous-charles-vivo-o-muerto-dir-alain-tanner-1969\/\" title=\"Aix\u00f2 \u00e9s avui: 04\/07\/24 &#8211; 20h &#8211; Cinema dijous: \u00abCharles, vivo o muerto\u00bb Dir. Alain Tanner (1969)\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":261,"featured_media":19732,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-19736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projectes"],"jetpack_featured_media_url":"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/07\/cartell_cinetika_charles_color_wordpress.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/19736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/users\/261"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/comments?post=19736"}],"version-history":[{"count":0,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/19736\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media\/19732"}],"wp:attachment":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media?parent=19736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/categories?post=19736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/tags?post=19736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}