{"id":17280,"date":"2024-01-16T22:10:23","date_gmt":"2024-01-16T20:10:23","guid":{"rendered":"https:\/\/lacinetika.wordpress.com\/?p=17280"},"modified":"2024-01-16T22:10:23","modified_gmt":"2024-01-16T20:10:23","slug":"18-01-24-20h-cinema-dijous-el-cartero-siempre-llama-dos-veces-bob-rafelson-1981","status":"publish","type":"post","link":"https:\/\/blogs.sindominio.net\/lacinetika\/2024\/01\/16\/18-01-24-20h-cinema-dijous-el-cartero-siempre-llama-dos-veces-bob-rafelson-1981\/","title":{"rendered":"18\/01\/24 &#8211; 20h &#8211; Cinema dijous: \u00abEl cartero siempre llama dos veces\u00bb (Bob Rafelson 1981)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1587\" height=\"2245\" src=\"https:\/\/blogs.sindominio.net\/cinetika\/files\/2024\/01\/cartero-redes.png?w=724\" alt=\"\" class=\"wp-image-17277\" style=\"width:837px;height:auto\" srcset=\"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes.png 1587w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes-212x300.png 212w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes-724x1024.png 724w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes-768x1086.png 768w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes-1086x1536.png 1086w, https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes-1448x2048.png 1448w\" sizes=\"auto, (max-width: 1587px) 100vw, 1587px\" \/><\/figure>\n\n\n\n<p>The Postman always rings twice . Bob Rafelson Estados Unidos de Am\u00e9rca. <strong><strong>Drama<\/strong>. Thriller. 1981<strong>. 125m<\/strong><\/strong>. VOSE<\/p>\n\n\n\n<p>Estados Unidos, durante la Depresi\u00f3n econ\u00f3mica, una \u00e9poca de conflictos, problemas y miseria. A un restaurante de una carretera secundaria llega un autoestopista (Jack Nicholson). El due\u00f1o le atiende y le ofrece un trabajo, pero \u00e9l lo rechaza. Sin embargo, cuando aparece la mujer del propietario (Jessica Lange) del local, el autoestopista decide quedarse.<\/p>\n\n\n\n<p>Esta fue la cuarta adaptaci\u00f3n de la excelente novela de James M. Cain, con versiones de Pierre Chenal (1939), Luchino Visconti (1942) y Tay Garnett (1946). Quiz\u00e1s no la mejor, pero s\u00ed la m\u00e1s famosa.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>The Postman always rings twice . Bob Rafelson Estados Unidos de Am\u00e9rca. Drama. Thriller. 1981. 125m. VOSE Estados Unidos, durante la Depresi\u00f3n econ\u00f3mica, una \u00e9poca de conflictos, problemas y miseria. A un restaurante de una carretera secundaria llega un autoestopista (Jack Nicholson). El due\u00f1o le atiende y le ofrece un <a class=\"mh-excerpt-more\" href=\"https:\/\/blogs.sindominio.net\/lacinetika\/2024\/01\/16\/18-01-24-20h-cinema-dijous-el-cartero-siempre-llama-dos-veces-bob-rafelson-1981\/\" title=\"18\/01\/24 &#8211; 20h &#8211; Cinema dijous: \u00abEl cartero siempre llama dos veces\u00bb (Bob Rafelson 1981)\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":261,"featured_media":17277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-17280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collectius"],"jetpack_featured_media_url":"https:\/\/blogs.sindominio.net\/lacinetika\/files\/2024\/01\/cartero-redes.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/17280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/users\/261"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/comments?post=17280"}],"version-history":[{"count":0,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/posts\/17280\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media\/17277"}],"wp:attachment":[{"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/media?parent=17280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/categories?post=17280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sindominio.net\/lacinetika\/wp-json\/wp\/v2\/tags?post=17280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}